Previs Shot
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Versi iPad/iPhone
Tutorials

Cara Menyiapkan Syuting: Tutorial Storyboard, Rencana Pengambilan Gambar, dan Call Sheet

Panduan langkah demi langkah untuk merencanakan syuting di Previs Shot — dari panel storyboard pertama hingga take terakhir hari itu.

The Previs Shot teleprompter reading view, with each block of dialogue headed by its shot number, shot size, angle and movement
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A Teleprompter That Knows the Shot: Prompting Lines Straight from the Shot List

Previs Shot's teleprompter builds the prompt from the shot list, so every line arrives headed with its shot number, shot size and angle. How to prompt one actor without the other's lines in the way, how to narrow a run on a pickup day, and when to skip the project and just paste a script.

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Previs Shot MCP Connection settings panel with the enable toggle, permission levels and AI client picker
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Previs Shot MCP Basics: Connect Claude (and Other AI Tools) to Your Projects

What MCP is, how to turn on the Previs Shot MCP connection, how to pair it with Claude Desktop, Claude Code and other AI tools, and a full tour of what an AI assistant can read, write and export once connected.

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Previs Shot SHOTS view showing a five-shot sequence with every column filled in
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Shot List Basics: A Complete Guide to the Previs Shot SHOTS View

What a shot list is, why it matters on set, and a complete walkthrough of the Previs Shot SHOTS view — display modes, custom columns, selection mode, and more.

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Editing the SHOT SIZE cell in the Previs Shot SHOTS view, choosing a value from a list
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Previs Without a Previs Team: Blocking Shots Fast When the Shot List Keeps Changing

Traditional storyboarding is slow because a revision means redrawing. Recording camera blocking as structured fields makes rework a two-tap edit — how to previsualize a scene, and a commercial's shooting day, without a previs team.

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Previs Shot storyboard layout showing three shots as drawn panels, each labelled with its shot size, shot type and movement
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Storyboard vs Shot List: The Difference, and Whether You Need Both

A shot list is the plan; a storyboard is the picture of the plan. What separates them, how scenes contain shots, and why a combined shot list storyboard is one dataset rather than two documents that drift apart.

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Previs Shot sidebar showing the four views — SHOTS, SCHEDULES, CALL SHEETS, TAKES — for the same project
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From Shot List to Wrap: The Complete Previs Shot Workflow

The full path a scene takes through Previs Shot: planned in SHOTS, scheduled in SCHEDULES, printed onto a call sheet in CALL SHEETS, and logged take by take in TAKES — one real scene, start to finish.

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Previs Shot SCHEDULES view showing Day 1, Aug 5 2026, with SC 8 - Diner Meeting scheduled 07:00 to 15:00
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A Day on Set: Following One Scene from Shot List to Wrap

One real demo scene, followed through a single shooting day across SHOTS, SCHEDULES, CALL SHEETS and TAKES — including the shot that didn't get a clean take before the day ran out.

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Previs Shot iCloud tab in the sidebar showing project backups as folder cards, each labeled with a Backup date
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Local, iCloud and Preset: What Each Project Tab Actually Holds

Why Local, iCloud and Preset in the sidebar look like three project lists but aren't: Local is what you edit, iCloud is a backup you can only download once the local copy is gone, and Preset isn't a project at all.

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Previs Shot export preview showing a storyboard grid layout with four numbered shot panels and their content notes
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Export Basics: Turning a Shot List, Schedule or Call Sheet Into PDF or Excel

How the Export button works across SHOTS, SCHEDULES and CALL SHEETS, the Shot Lists vs Storyboard layout choice, scoping an export to specific scenes, and the PDF vs Excel (VIP) format options.

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Previs Shot Preset tab in the sidebar showing two saved presets as cards
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Preset Basics: Save a Project's Setup, Reuse It on the Next One

What Previs Shot's Make Preset feature actually captures (columns, frame settings, camera setup — not your scenes or shots), how to save a project as a preset, and how to start a fresh project from one.

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Previs Shot SHOTS view with a seven-shot sequence showing LENS and EQUIPMENT filled in across sticks, hand held, gimbal, slider, jib, drone and static
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Equipment & Lens Basics: The Rig and the Glass Behind Every Shot

What each of Previs Shot's seven EQUIPMENT options and six LENS types actually means on set, and how to plan a shot list that specs out rigging and optics, not just the creative brief.

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Previs Shot Continuity Logs report showing a timestamped table of every take for a scene, with NG/OK scores and notes
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Takes & Continuity Basics: Logging Coverage On Set

The difference between a shot and a take, how Previs Shot auto-numbers takes the way a real camera department does, NG/KEEP/OK scoring, and the Continuity Logs report that ties a whole day's coverage together.

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Previs Shot call sheet print preview showing crew, talent, schedule, location and a shot breakdown table
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Call Sheets Basics: Building a Call Sheet From Your Real Schedule

What a call sheet is, how the CALL SHEETS view is organized, and the difference between importing a row from your directory/schedule and typing one in by hand.

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Previs Shot Edit Contact form for a crew member with Name, Department, Position, Phone, Email and Note fields filled in
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Crew Directory Basics: Departments, Contacts and Address

The shared directory behind every Previs Shot project — departments and roles, crew/talent/client contacts, and saved locations — and why filling it in once pays off on every call sheet afterward.

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Previs Shot SHOTS view showing two scenes combined after a project merge, four shots total
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Merging Projects in Previs Shot: Combine Two Storyboards Into One

How Previs Shot's Merge Previs Project feature works, when two units or two drafts of the same sequence need to become one project, and what happens to scenes, shots and the two original files when you merge.

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macOS file picker showing a selected .previs project file with its file type and size
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Export & Import Basics: Sharing a Previs Shot Project File

How to export a Previs Shot project into a single .previs file, how to import one someone sends you, and what happens when the file you're importing turns out to be a copy of a project you already have.

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Previs Shot right-click menu on a shot row showing Insert Above, Insert Below, Duplicate, Delete and Fill Color
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Copying, Deleting and Editing Shots in the SHOTS View

The three edits you'll use constantly in the SHOTS view: editing a cell inline, duplicating a shot to spin off a variation, and deleting one — plus what Insert Above/Below are for.

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Previs Shot SHOTS table showing a scene that has moved from storyboard panels to a structured shot list
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Storyboard Basics: What a Storyboard Is (and How It Becomes a Shot List)

What a storyboard is, its place in pre-production, how it differs from a shot list, and how to carry a scene from loose storyboard panels to a structured shot list in Previs Shot.

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Previs Shot SCHEDULES view showing two shooting days grouped by location
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Shooting Plan Basics: From Script Scenes to Shooting Days

What a shooting plan actually is, why productions shoot out of script order, and how to group scenes into shooting days in Previs Shot's SCHEDULES view.

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Previs Shot SHOTS view with MOVEMENT filled in for a seven-shot sequence
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Movement Basics: The Seven Camera Movements Every Shot List Needs

What each camera movement means, how it changes pace and tension, and how to plan a movement sequence in the Previs Shot shot list.

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Previs Shot SHOTS view with SHOT TYPE filled in for a seven-shot sequence
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Shot Type Basics: From Eye Level to Insert Shots

What each camera angle and shot type means, how it shapes a scene emotionally, and how to plan an angle sequence for a dialogue or reversal scene in the Previs Shot shot list.

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Previs Shot SHOTS view with shot sizes ELS to ECU filled in for one sequence
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Shot Size Basics: From Extreme Long Shot to Extreme Close-Up

What each shot size means, what it does for your story, and how to plan a wide-to-tight sequence in the Previs Shot shot list.

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Versi iPad/iPhone

Versi iPad/iPhone